RB
I totally agree about the mystery factor.
I used to study sound engineering and I occasionally work as a DJ, and at times I see PE as very similar to sound and acoustics.
It’s a science combined with mystery, or maybe it’s just that the rules these two phenomena follow are so complicated and tangled and there are so many of them, that they become almost impossible to analyze with the means we now have.
Still we try. With sound, even the best sound engineer can’t predict exactly how a place will sound before hand. You design an acoustic space following simple rules of acoustics and still you find yourself surprised by the results, because there are so many parameters involved.
You can come to a club you play in for a whole year every Friday, and still it will sound different every time. And you can’t control it! It’s so frustrating. There’s the system and how long it played for the other night and how much it was stressed, and the records which you play, the mixer which you use, the turntables and cartridges, and the people - how many of them in the club, what do they wear, even if they talk or laugh, and of course the weather, if it’s humid, if there was a sudden change of weather. This is just a few parameters out of the whole equation and those apparently little deviations can actually make or break a performance.
Still I struggle to keep exploring it, and every time I find another little discovery that helps me control it better next time.
Same with PE.
Anyhow - more specifically, maybe a month off was not enough. Maybe you needed a longer break in order to get the quick gains again, like MDC.